It seems common practice nowadays to fit Marx into one kind of triad or another. Marx-Lenin-Mao, for instance. Or Marx-Freud-Nietzsche - Ricoeur’s three “masters of suspicion.” Henri Lefebvre, eclectic and imaginative as ever, gives us his own triad of Continental giants in his aptly titled, newly translated, Hegel, Marx, Nietzsche (or, The Realm of Shadows). … Continue reading Henri Lefebvre’s “Hegel, Marx, Nietzsche”
The attempt to turn back to theory such that the Marxist approach to knowledge itself can be explained is commendable. The (re)introduction of certain levels of abstraction - particularly the separation of the "mode of production" and the "social formation" - are important and remain influential, impressively they have become important in some forms of anthropological practice itself. But many the most important features of Althusser's work are themselves marred by the entire "problematic" or theory of theory that they are integrated within. There’s a circularity to Althusser’s claim of at once maintaining fidelity to Marx’s word while stating that Marx’s words couldn’t be Marxist enough. The autonomous theory still has to try and connect to reality, but it simultaneously wants to refute the “empiricist” subject/object relationship. Althusser’s solution is unclear, and perhaps contradictory.
"Abolition of wages," "abolition of town and country," "abolition of family," "abolition of religion," "abolition of labor..." What does it mean to "abolish?" In the most simple sense it means to simply get rid of, to end, to be done with. And yet it seems more complicated than that. The use of the term "abolish" … Continue reading Notes on “Abolition” and “Revolution”
I’ve had the pleasure of having a weird essay “Disruptive Foundations: Bataille, History, and the Grundrisse” in the journal Acéphale. It’s got a bunch of interesting weird essays, collages, drawings and other things. You can find it on the journal’s website.
I. New Production, New Technique? *** On April 23rd, 1934, Walter Benjamin gave an address to the Institute for the Study of Fascism, Paris, titled "The Author as Producer." In it, Benjamin gives a singular summation of the issue he is most known for addressing, what would later become the foundation of his famous "The … Continue reading Recreation as a Subject of Production: Video Games & Material Analysis
"...in the grim dark future there is only war." As I continue to ponder what, precisely, my politics are - and how I can understand The Political in connection to said politics - I decided it might be worthwhile to attempt a kind of critique against some of my favorite fiction to draw out my … Continue reading Some odd thoughts: Warhammer 40k & Politics