"What is there to confess that's worthwhile or useful? What has happened to us has happened to everyone or only to us; if to everyone, then it's no novelty, and if only to us, then it won't be understood. If I write what I feel, it's to reduce the fever of feeling. What I confess … Continue reading Fragments – April 2018
Movies
Some Quick Reviews Part 2: Movies
Ah the silver screen, how I love thee. Though I've seen more than just these two movies these last few months I'm going to just talk about Anomalisa and Down By Law because they interested me the most, and they were the only movies I haven't seen before. Anomalisa I'm a pretty big Charlie Kaufman … Continue reading Some Quick Reviews Part 2: Movies
The Revenant: Artistry and Subtlety
I've just returned home from watching The Revenant, a film as rough and gruesome as its hero's face. It's a heavy film, weighed down by its subject matter, its setting, and the way it tells its story. This isn't to say that it's bad - its an incredible film, and one that I enjoyed - … Continue reading The Revenant: Artistry and Subtlety
Star Wars: Styles and Cycles
I finally saw The Force Awakens yesterday, and I'm still digesting my thoughts about the film. Star Wars is such a heavy, cumbersome cultural entity (and I don't mean that in a bad way) that it can be hard to simply have fun watching a film - even one so dedicated to being fun as … Continue reading Star Wars: Styles and Cycles
Tragic Fantasy – A Filmmaker’s Manifesto
In times of hardship, conflict, and change, people will gravitate to escapism. The fantastic is sought out and produced as a cultural painkiller, offering cathartic release, hope, and feelings of agency. However, as escapism is pursued as an alternative to hardship there enters a risk of separation from reality, rejecting the responsibilities of the real … Continue reading Tragic Fantasy – A Filmmaker’s Manifesto
The Cinema of Dreams
In my World Cinema class we've been studying Russian film from the 1920s, specifically Russian montage. Reading the essays of Eisenstein and Vertov started me thinking (as I am apt to do) and I began to wonder about my own theory of film. Obviously I'm not a very experienced filmmaker, but I dabble, and any … Continue reading The Cinema of Dreams
Pen and Screen 